{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":131,"pdf_page":146,"physical_index":146,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"25c9a806f3344261791ed0eb9fa08692ad566117bff3ed0824f081839d756c07"},"chapter":"第三章 我们大家","content":"如果我在一出新剧中去听拉贝玛表演，我就不能轻易地评判她的艺术、她的吐字发音，因为我在剧本和表演之间无法起步，我事先并不了解剧本，而表演中的腔调和动作，我似乎觉得要与剧本融为一体；而那些我熟记于心的古老作品，就像是一些广阔的保留空间，距离很近，在那里我可以尽心自由地欣赏那些创新，而拉贝玛，就像在壁画上那样，往上面覆盖一层层想象的永恒的新发明。①\n\n普鲁斯特对凡德伊奏鸣曲和《费德尔》剧本的练习，其中构成了一些期待，而就这些期待所描写的东西，便形成了一种崇拜，但是已经不再是一种宗教的崇拜。这种崇拜是一种生存方式，它构成了一个实践的和谐整体，而这种实践是20世纪初艺术爱好者和有识之士的典型实践，因为他们都在排练。\n\n音乐排练或许比崇拜的任何别的共同经验更为突出，例如歌唱。音乐排练不像绘画那样，经受图像禁忌的考验，它本来可以成为民众最佳的休闲，成为情感相通的时刻，赶在学校竞争之前，成为新的学习场所催生了共和国，即催生了心理与集体个体化的新过程这就明确提出了一个观点，即休闲这个实践就是一种学习，而不仅仅是一种忠诚，它是一种变异的体验，而不仅仅是一种排练和被启示信仰的加强。因为今后将要学习的东西，恰恰是没有起源的东西，而据博伊斯说，人是“进化的”生灵，学习生活，就是学着在变异中突然到来：学习就是一种探险。\n\n①马塞尔·普鲁斯特，《在少女们身旁》，伽利玛出版社，1996年，第13页。\n\n131\n\n第三章 我们大家","previous_page":130,"next_page":132}