{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":145,"pdf_page":160,"physical_index":160,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"04a5a4a32f729645c42a5926f505615b976ea4bfa892ae0ab80a25b5db4960c7"},"chapter":"第三章 我们大家","content":"……他们平生第一次观看的一部电影短片，似乎想教会他们注意日常卫生，屏幕就竖立在荆棘丛生的某个地方，他们被一个不起眼的细节迷住了，“那是一只小母鸡，正在一角穿过村子的广场”。\n\n按照安托万·孔帕尼翁的说法，当然还有司汤达与柯勒律治关于巴尔的摩士兵的看法，在这两个事例中，事情关乎：\n\n……个体的有限案例，对个体而言，虚构与现实是一回事，因为他们没有得到启蒙，对画面、符号、表演和虚构世界一窍不通。\n\n说到这里，人们立刻想到第一次公开放映电影《火车进站》的情形，据说在观众①之中引起了一阵恐慌，他们看到屏幕上的火车朝着他们扑面而来。\n\n观众就这样经历了一种全新的动力体验，但是这个体验还没有与个体化关联起来，还不会引发个体化，还没有构成动力性的那个维度，即感觉动力的循环，个体与心理躯体的循环，还有社会和集体躯体的循环，我称之为惊呼的循环而惊呼的循环便是充当个体化本身的相位差\n\n①其他的叙事文章只提到后退动作和“某些观众们的惊跳”。\n\n第三章 我们大家\n\n145","previous_page":144,"next_page":146}