{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":152,"pdf_page":167,"physical_index":167,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"fb776da18a9d1a43640af7b454892eb64606a8775535a58b9ca2d03316f5ff59"},"chapter":"第三章 我们大家","content":"因为母鸡，被当作真实母鸡的母鸡，即作为没有区分和个性化的投射，它只是一种幻觉。即使变成这般的电影，那还是一种幻觉，但是它在其效果中发生了变化，在形成心理社会的循环，即力比多和崇高的循环中发生了变化，随着其出现的方式而变，即随着调节、学习、实践、安置持存装置的方式而变。\n\n巴尔的摩的士兵看到的场景也是这样，观看《奥赛罗》表演的观众也是这样。这是因为幻觉不是完美无缺的，因为它和美人鱼的歌声完全一样，也存在着缺失，因为它以虚构方式在运行，它在虚构，而且当作一种功能，这就构成了投射一种共在的可能，因为存在中也缺失共在，尽管在这个存在中，共在构成了该有（共在）的东西。\n\n这就像是幻觉的一种不完美，就这般变成了艺术的问题，但成为有待发明的一门艺术，而博伊斯的作品对其进行加工用屏幕记忆进行加工，这就成为一个指令，不仅要自我回忆，还要通过回忆去发明。\n\n36.语言领域的扩展和幻觉的两种体制\n\n让-菲利浦·安托万的分析，非常接近我在下一章展开的观点，它基于这样一个思想：屏幕记忆，其概念在弗洛伊德的《梦的解析》和《神经官能症、精神病及倒错》中已经得到阐述，它在任何感性的经验中起到作用。屏幕记忆在这里，是心理与集体个体化过程中的前个体材料。\n\n象征的贫困2：感性的灾难\n\n152","previous_page":151,"next_page":153}