{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":158,"pdf_page":173,"physical_index":173,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"9d4b384013e95028c4b8cdb515144a2696a7fdccfc9737f408bbd6c80355311d"},"chapter":"第三章 我们大家","content":"……让人们在细节中体验模糊回忆的工作，或者更准确地说，让观众能够进行这项工作，在观众身上激发……一种冲击，与迹象进行对抗……①\n\n因为这个迹象恰恰不是一个简单的象征。说这“不是一个象征”意味着什么？这至少意味着，一方面，这不是一种简单形式，而常常已经是一种物质，这种物质即使已经被遗忘，被移植为一种幻觉亦然，而另一方面，这不是一种指意，换句话说，这不是一种由压制构成的用法，即这种压制通过压制意义，通过禁止个体化的继续即实践去（亚）稳定个体化，即所有人都要参加的雕塑。\n\n在这个意义上，迹象与简单的象征化相反，将表现为一种物质，因为它会（重新）建立意义：这将重新激活感性的体验，一种表现为先前已经经历过的体验，那个丢失的体验，因为这个体验就是保持在压抑中的东西，而且也是由压抑组成的东西。迹象与这种充当“普及化”（作为独特性的缩减）的压抑进行着斗争而这种压抑，也正是迹象借之进行合成的东西。\n\n艺术家的作品和活动于是就有了共性，成为与模糊回忆过程类同的机器……其含量……禁止任何的\n\n①让-菲利浦·安托万转引，《六部冷峻叙事诗》，第160页。\n\n158\n\n象征的贫困2：感性的灾难","previous_page":157,"next_page":159}