{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":161,"pdf_page":176,"physical_index":176,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5e17319f4cafe02c7933e6437930f775e2aaa59a5731802b3c6ca10799112d96"},"chapter":"第三章 我们大家","content":"可是，这般载入语言的画画，因语言本身已经被理解成第三持存和物质持存，所以它必须被设想为通过此举已经载入一个过程，这个过程既是惊呼的循环，也是赠予和回赠的经济，它构成了面向行动的过渡：\n\n画画的某些方面之一，就是它充当一种辅助物，面向日后生产的某个类型，例如一个动作、一个行为、一个运动，由我或读者们所实现的行为，而这幅画正\n\n① 博伊斯，与汉斯·冯·戴尔·格林顿(Hans van der Grinten)的对话，载雷特曼著《约瑟夫·博伊斯：死亡让我处于清醒》。让-菲利浦·安托万转引，《六部冷峻叙事诗》，第167页。(强调为我所加)\n\n161\n\n第三章 我们大家","previous_page":160,"next_page":162}