{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":165,"pdf_page":180,"physical_index":180,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5d189c3844a3e5d10437ffab7577493deb439e693f9691642debd4ce484faba5"},"chapter":"第三章 我们大家","content":"虚构在此就是任一作品，一切向外开放之物，因为它是个人造物就在普通器官学之中，而普通器官学也是感性的谱系。可是这种人造性（artefactualité）也是引起凡人粉末化的东西：这正是普罗泰戈拉在普罗米修斯和爱比米修斯神话结束时所说的话。这也正是艺术中令人害怕的东西，因为它有部分东西与义肢相关（如柏拉图那部分），然而这是艺术的特定需要，艺术是唯一可以和产生艺术的冲动野性连接的东西，以一种欲望的形式去升华野性，通过作品的中介将其构建为一种友爱（philia)，而这些作品正是社会雕塑所生产的持存这种友爱，凭着狄刻（正义女神）和爱多士（耻辱女神）的情感，伴随着宙斯的法则，宙斯将法则降临给凡人，以对抗威胁凡人的diabelein（对征）行为。\n\n这般连接的东西便得到驯化；然而这既不是家养，也不可能家养，更不可能被拥有。这就是俗话说的，它在构成方面有所缺失，这就是荷尔德林所谈论的东西，也是海德格尔不理解的东西。\n\n正是这个东西，让人害怕的东西，它能让我们克服害怕。这恰恰就是崇高。这个让人害怕的东西，也只有它能连接并借此支持情感中的信仰，而这些情感则必须伴随城邦的法则，这就是约瑟夫·博伊斯的作品所展示的东西，被展示为一张缺失的大口—而它有时会通过此举，激发起相当的敌意。\n\n第三章我们大家\n\n165","previous_page":164,"next_page":166}