{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":169,"pdf_page":184,"physical_index":184,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"c02f73cbbb27ba936dd16afa85a857df3b12e467edce4739fb68e668c25caf7c"},"chapter":"第三章 我们大家","content":"感知是一种生产（诗歌），它受到支撑它的生活艺术的条件制约，并且凭借感觉动力耦合形成一些感觉动力的循环，而感觉动力耦合又通过机体得以实现。在下一章中，我将对机体问题进行分析，把它当作生者扣押死者来分析这种扣押恰恰是在其存在的鲜活中进行，而且作为一种表达。学习做出区分，就是综合地去评判，从习得的分析资源出发去评判，通过一些总是耦合的实践去评判如身体器官和技术器官之间的耦合：工具、乐器、仪器、机器、装置等，也就是所有东西及所有“无生命的物品”，因为它们组成了一个世界。①\n\n假设感知已经载入一种感觉动力性中，一种通过人造物配置的动力性，那么最为简短的美学实验也就明晰地展示了这一点。如果我熟悉乐谱及演奏难点，将会更好地欣赏这段钢琴演奏正如普鲁斯特那样，在听赏《费德尔》时就熟知其剧本。我会更好地感受一件事情，因为我能重做这件事，而且熟记于心：这就是充当练习技术性的排练问题，一种技术首先是通过采用一种能驾驭的模具，达到重复一个结果，并且重复该结果产生的过程，又瞄准着动作的共在把该动作当作良好的排练，这就成了永久的探险。\n\n①我参照了夏尔·勒奈(CharlesLenay)的研究成果(未出版)，特别是参照《无知与替补：空间的问题》，一部为获得博士指导资格而写的著作，主题涉及感觉动力性问题，即感知的条件，基于实验现象学的经验，采用了为盲人设计的替补感知系统。\n\n第三章我们大家\n\n169","previous_page":168,"next_page":170}