{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":170,"pdf_page":185,"physical_index":185,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"12528b991b26eaaf15344a59cb83bb1289833f2c4e2415d763b1dfdeaffb89d3"},"chapter":"第三章 我们大家","content":"更有甚之，这种采用（诗歌）若具有轰动效应，是因为它已经被载入一个返回的循环，即写入一个大型循环，其中某个更小的感觉动力循环得以形成，并且占据位置：感觉性的感觉动力性若要得到轰动性的激发，那只有在它采取一个期待视野的情况下，并且填充这个视野，亦如它形成和创造这个视野那样，也就是说感觉动力性在改变期待视野的同时，又让视野发生位移，换言之，对它进行雕塑。真正地看到，真切地去看，说出并展示“绘画的真相”在语言扩展中的作用，这就是通过展示我看到的东西，以便能够看到这个东西；但是我只能根据我随机看到的东西，展示来自已经看到的东西，它来自一个已经看到，就像那个古老的印象，而印象派给这个印象赋予了时间维度。在这里，塞尚正期待着克利，而克利就像普鲁斯特那样，普鲁斯特在卵石路上绊脚后，变得心烦意乱，因为他像帕斯卡一样，受到了侵扰。既然受到惊扰，我也惊扰别人，我将这种情感返还，让这种情感流通，而且在流通中发生转变。但是这种转变，它也是一种形象转换（trans-figuration），通过这些模具的形式，既给我的期待赋予形式，即充当持存和前摄的视野，也给我的感觉动力性赋予形式。\n\n170\n\n象征的贫困2：感性的灾难","previous_page":169,"next_page":171}