{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":176,"pdf_page":191,"physical_index":191,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"717ecc0254886a83c910fef9e56c49fafb368a0f43d212b9a1247db4a50e4ae0"},"chapter":"第四章 弗洛伊德的压抑","content":"我们已经看到，第三持存，也就是说个体化过程的人造物层面，它为什么处于这个过程的中心，该过程也是一个升华的简约。因此，对当前境遇的审视，必须从这个主要事实出发去进行，即短记忆材料的新形式的出现所构成的事实，也就是说第三持存的出现。第三持存是充当区别的语法化的最近期阶段：这些持存装置，使用仪器的装置，构成了感性的机械转折。\n\n随着圭多-阿雷佐（Guidod'Arezzo）及四线谱表的出现，音乐上产生一种语法化过程，改变了乐曲工作的分工、全套乐器的发展和听众的地位，同时还改变了普遍情况下音乐的社会功用，音乐的变异也因此而被打乱——于是便成为严格意义上的西方博学音乐。语法化始于20世纪初，与短记忆材料的新型形式同时出现，而当前对这些材料的数码化，以难以估量的方式加强着它们的效果，而且数字化已经被应用于所有的感性领域，明显会导致一种对美学角色的再机关化，其重要性可与音乐所发生的情况相比较，因为都进行了语法化。然而由于语法化构成一个机械转折，它在当前发展阶段中的特点就是参与的丧失，也就是个体化的丧失，这存在于所有的领域。\n\n176\n\n象征的贫困2：感性的灾难","previous_page":175,"next_page":177}