{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":181,"pdf_page":196,"physical_index":196,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ac9335f9a68ab74aff0bab570bf9987df9ea2d6f0db06a9aed2d2222367832f2"},"chapter":"第四章 弗洛伊德的压抑","content":"当语法化到达它的技术阶段，即机器的、动力的、化学的、电器的或是电子的技术复制阶段，到达对所有类型的运动进行程式化、离散化和控制的阶段时，语法化提出了一些全新的问题，其中应有参与丧失与个体化丧失的问题，这两个问题便是前几章所考察的对象。我们还必须审视一下，看看视觉艺术在这个阶段，是怎样受到语法化的机械形式的影响电影本身自然就完全产生于其中。\n\n对参与丧失与个体化丧失的否认，直接与语法化的影响相关。语法化直接影响着普通意义上的艺术，尤其影响着视觉艺术，而这一事实至此尚未得到思考。但是这个非思考（impensé），它本身就包括在更为普遍的抑制过程中，即第三持存的问题一直被压抑着，首先就包括压抑和升华的思想家在内，即弗洛伊德本人。此外，这种否认已经被载入升华的控制中，控制充当着普遍镇压的体系，而不仅仅是表达的体系在这里，它还是一种倒退的体系与诱饵的发明，并且经营由参与的丧失和个体化的丧失所引发的痛苦，例如一刻钟成名的工业生产—这种控制从今以后已经过渡到超工业权力方面，作为一种象征的权力强加于人。\n\n181\n\n第四章 弗洛伊德的压抑","previous_page":180,"next_page":182}