{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":21,"pdf_page":36,"physical_index":36,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b7129ce073696002228b566cce7c74d2918613aaff9622cc26323a8682d40e76"},"chapter":"第五章 析取的合取","content":"8. 音乐的工业入侵\n\n朗读者从此以后，音乐无处不在：音乐厅、剧院、礼拜场所，而且还有电视、商业场所、公共场所、机场、海滩和滑雪跑道。自1960年代以来，通过那个以有趣的借代所称呼的“半导体”（如今由苹果播放器取而代之），地球上很大一部分居民每天要收听好几个小时。而在所有场所盛行一种听众的被动状态，机械地跟随着音乐，这时又出现了一种在个人电脑上创作的音乐，采用的是从大街上、网络上和老唱片中提取的声音样板。自1980年代起，雅达利（Atari）公司从中看到一个新的市场。“公众”希望不再当个蓄水池：他想“通过参与去感觉”。\n\n①参见尼古拉·多南的文章，《怎样摆弄我们的耳朵》，《媒介学期刊》第18期，第219页。\n\n朗读者配音序曲\n\n021","previous_page":20,"next_page":22}