{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":227,"pdf_page":242,"physical_index":242,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a41493cb193fa78f586b5f23093787e88ecd134545009ad6bfe05071a6a69006"},"chapter":"第四章 弗洛伊德的压抑","content":"49.共取、袭取与能指衍生\n\n在记忆中，创伤原型被围住、被围困、被团团围住（涉及），也可以说被刻板型第二持存紧紧抓住（包含在内）。在持存中有一种固位，一个被抓物中的容纳物，而创伤原型的“核心”就整个被监禁其中：被放进密室。\n\n刻板型第二持存形成了第一种类型的第二持存，其第二种类型将由创伤原型的第二持存构成：它们并不是现存期待得到强化即共取（compréhension）的成果，而是对这些期待进行袭取（surpréhension）的成果。共取是缩减到同一物，而袭取则是同一物中他者的体验也就是说感性的独特性的体验。\n\n这就是能指衍生的体验，在这个体验中，试验物作为一种感知意识体系所经历的时间现象，会突然让刻板型第二持存所同意的期待爆发出来，开辟一条道路，就像一个妙语，但在更大广度上更像是任何一部奇妙作品，以便让被压抑的第二持存的创伤型潜力浮出水面，并且构成普鲁斯特所说的模糊回忆（anamnèse)：这是某个前期创伤原型的回归，回来时像个幽灵，像个鬼魂，像个妙语，自己回应着构成冲动装置的超前摄和超持存（原始幽灵与原风景），这个冲动装置将以独特的方式，与个体自我的创伤原\n\n第四章 弗洛伊德的压抑\n\n227","previous_page":226,"next_page":null}