{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":238,"pdf_page":253,"physical_index":253,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"812517f44d8c471cc8f33e6b18a01ba8b1ed010c4cd1b6a28aff0cbdd46751e6"},"chapter":"第四章 弗洛伊德的压抑","content":"然而惊呼也完全如此，时至今日，这是个绝对全新的事实，是市场通过这些幻象控制技术所经营着的事物。于是就有了一种完全相反的形式，将续存的约束加载到极致。\n\n这种惊呼的工业生产是一种幻象控制，即一种“理性的生产”，它清除了独特性构成的参与装置，如赠予和回赠的循环，通过将冲动从欲望循环中分离出来去解除与冲动的联系。\n\n换言之，这就是对升华的力比多经济的破坏，其中最高级的形象，在上帝之死后，已经变成了“为艺术”而艺术的艺术家，艺术作为精神发泄的共在，即作为原始缺失的惊呼，它充当着不存在之物的崇高性。\n\n238\n\n象征的贫困2：感性的灾难","previous_page":237,"next_page":239}