{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":242,"pdf_page":257,"physical_index":257,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ad834c1f79dcd0863857a66dbcf5c0508136a431f51bb5c687bfefc420939b1e"},"chapter":"第五章 析取的合取","content":"相位差是此过程中个体化的现实，并且物化为“量子跳跃”②，从一个阶段到另一阶段的断续性过渡：个体化的程序变异是一系列打破的平衡，通过这些跳跃（处于平衡与失衡之间，共时性与历时性之间，作为一种亚稳定性)表达着相位差。但是仅有相位差还不够：由于在我与我们之间，或在我与“自身”之间存在一个差位，正如它所成为的样子，于是在某种程度上便成了一个他者的它（luil'autre)，个体化着的相位差就会勾勒和前摄其吸收的条件—“以结构的形式吸收其保存”，西蒙东如是说——通过对我们进行的集体个体化过程，以滋养着前摄。\n\n这个“与”即作品，它因此同时有合取性和析取性。它一边合取一边析取。艺术家忍受着这个“同时”（承载着它）的痛苦：正是在这点上，他成了个体化的样板，在某种程度上也是一种张力与二重缓释。可是这种情况要成为可能，艺术家必须同时是前摄者和转化者：他孕育了若干前摄，即一些向前的张力（pro-tensions，前摄），即拉伸和重新绷紧前个体的东西。不过，他这般前摄的东西就构成了精神的痕迹与物质。只有在这个力比多循环的痕迹学中，艺术家才是最佳的跨个体化操作者—也就是说升华的操作者。\n\n①诺贝尔，这位在全世界构建了工业升华的可敬奠基人，他发明了炸药，这难道不很有诗意吗？\n\n②吉尔贝·西蒙东，《心理与集体的个体化》，奥比耶-蒙田出版社(Aubier-Montaigne)，1989年，第 5页。\n\n242\n\n象征的贫困2：感性的灾难","previous_page":241,"next_page":243}