{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":254,"pdf_page":269,"physical_index":269,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"72297fc7c1e3737b735b646e67f55d9f0639c257fb3286f1e12aafa00c9259c4"},"chapter":"第五章 析取的合取","content":"音乐与艺术，尤其是在经历了质问后的质疑之后，加强了个体化的过程，也就是说加强了个体的时间化。作品所打开的感性体验成为狭义上的一种时间陶醉：圣奥古斯丁开创的意义，于是现时的共在展开了前个体的各个维度，成为过去和将来，充当着个体化的威力—但它来自一个“从未成为现时”的过去，因此它不是时间的一个维度，而是借此共在的原前摄物。由于被堵在自我中，封闭在自我中，我在自身个体化中似乎成了一只老鼠，不再能够自行连接、自行继续，换言之，不再能够自行构成集体的个体化，在社会中自行跨个体化，而作为其惊呼之举，聆听一段音乐几乎成了一个奇迹，就像一种意外，即赫拉克利特所说的anelpiston(无希望)，必须希望的无希望之事，这提醒我想到我自己，但那是作为他者的自己：让我变成那个是我的人，在一种奇怪感觉中再次变成那个是我的人重新回归我自己，但作为我重复的差别体，仿佛我重新获得意识，却又在我意识之外和当下，在任何可能的意识之外和当下。\n\n①关于贝特朗·波尼洛的电影《忒瑞西阿斯》，参见《象征的贫困1》，最后一章。\n\n254\n\n象征的贫困2：感性的灾难","previous_page":253,"next_page":255}