{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":256,"pdf_page":271,"physical_index":271,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"34ee6f88e8bebe7787aa3dd9641e10842d031507d8802e8a14ca5a71069ab046"},"chapter":"第五章 析取的合取","content":"些，或者那一块，要不另一块。”①\n\n借助或者通过作品，也就是说通过作品这种循环，因为作品已经将时间空间化，我在重复中对持存/前摄过程进行个体化，在重复中生产着差别，我在进行区别，质疑我的“身份”，将其个体化为相异性，作为我独特性的差别：我以借口方式即人为方式进行独特化，并且借助我的物品的独特性，我的意义和我情感的载体。\n\n57. 若干场景\n\n甚至在艺术家及其作品之前，艺术就支持着一种差别，例如在海豹猎手那里，其技术事实的第四等级，即弹射式鱼叉，便证明了这一点。\n\n这个第四等级，在工业物品的世界里，成了没有证人的标记器：一种标记。\n\n这种标记指向一种新的劳动分工，其中工业时间客体和上千种其他人造物激发着消费者的感觉性，并且构成截获力比多流的其他方式，也就是说截获在持存/前摄情况下激发冲动的原前摄的东西，并且构成超持存和前摄的东西。\n\n①普鲁斯特，《重现的时光》，伽利玛出版社，1983年，第276—277页。\n\n256\n\n象征的贫困2：感性的灾难","previous_page":255,"next_page":257}