{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":259,"pdf_page":274,"physical_index":274,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"63b72717f61fe48cd70de219ce30bb65578758904e14e3696e97248d3b6c21b0"},"chapter":"第五章 析取的合取","content":"恰恰如此，戏剧与这个世俗变异紧密相连，也与其所包含的krisis（危机）紧密相连。让·洛克塞鲁瓦（JeanLauxerois）曾经强调，索福克勒斯是如何明确意味了神圣的退出。而悲剧的诞生首先就是这个退出。自埃斯库罗斯起，正是这个退出，是悲剧所意味的东西，也是社会的悲剧时代即政治时代所拷问的东西，因为在政治时代形成了城邦的公共空间。戏剧就是一种上演，将这样一种变异所构成的问题搬上舞台，恰恰说明这个变异不是一个简单的仪式，而是一种实践。\n\n前政治（anté-politique）的社会，大教堂式或魔法的社会，并未经历戏剧与仪式之间的区别，也没有经历世俗和与之区别的神圣的分离，戏剧在这里是个时刻，是神圣与魔法本身的发生。这既非一个问题也非一个理论(theorein)，理论不会在此形成，这里是戏剧，更确切地说是悲剧。\n\n在悲剧中，公共空间自行打开，成为一个问题空间，各种力量在其中相遇，却又不对抗，而是不停地组合。这种组合构成了它们的表演，而这种表演就是人物所体现的景观。然而他们的比武展示也是对抗他们分解的斗争\n\n第五章 析取的合取\n\n259","previous_page":258,"next_page":260}