{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":263,"pdf_page":278,"physical_index":278,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"b14f79d0a8977201d1b3dc6e56548368a06e60dcf3e4144df24249be752b0083"},"chapter":"第五章 析取的合取","content":"不过，戏剧舞台与公众舞台（通过舞台维持一种差别，通过舞台可以与漠然作斗争①）之间的这种断裂，如今已经被否定，甚至被景观工业所废止，被新的功能性所取消，新的功能指定将世界上演为制造，这样景观性在结构上便对抗于镜像性，因为这种镜像性的构成恰恰就是为了阻止景观性：镜像性只瞄准独特性。\n\n这已经就是一种非断裂（non-coupure)，即阿多诺在工业图式时代的电影②中所揭露的非断裂普通的图式是一种操作，借助这种操作，普通的想象力可以将理解力的概念投射到现象的感性场景中，即感知中出现的现象中。戏剧就是这种相似出现的场景，只不过是公开投射和展览而已，充当一个心理与集体个体化的过程，该过程构成了最佳的城邦。\n\n在《纯粹理性批判》中，由意识本身进行的意识统一性的生产是对抗非统一性的一场斗争，康德指定为Aufzuführung，艾玛纽埃·马迪诺（Emmanuel Martineau)准确地将其翻译为“上演”。意识的统一性永远有待征服，有了这个统一性，就有世界的统一性，有了世界的统一性，就有城邦的统一性。戏剧便是这场战斗和征服的战场当上演与剧本都很优秀的时候。\n\n①参见洛鲁，《治丧的声音》，伽利玛出版社，1990年，第130页。\n\n②“必须做得更多，让现实生活能够区别于电影。”阿多诺和霍克海默(M.Horkheimer)，《理性的辩证法：文化财物的工业生产》，伽利玛出版社，1974年，第133页。\n\n第五章 析取的合取\n\n263","previous_page":null,"next_page":null}