{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":34,"pdf_page":49,"physical_index":49,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"cffad018b31bffb7c93195af68f15648bd466c1b2f05d53bde4a76bd6f480661"},"chapter":"第一章 为感觉而参与","content":"在对这个全新的记载问题即录音的深入分析中，在超越了作曲家与依赖乐谱的演奏者之间的区别之后，才有可能考虑一种关于短记忆材料新形式的政治，即关于模拟与数字技术的政治，这将是重复条件的完全崭新的乐器学规范。这便是形成现代爵士乐威力的奥秘，即在录音装置上尽量配备强大功能和新型收听艺术，外加一个业余爱好者群体这种配备就在制作室开始，作为录音室的制作室，它也是一个集体批评的赏听培训地，在那里培训着充当整体的人群，并且在那里自行个体化。这也是最近家庭音乐所证明的情况，也是它演变的状态，家庭音乐充当着音乐采样（sampling）的大量实践，而如今已经成为重复的世界性艺术。在这个意义上，我曾经推测阿兰·雷乃在《法国香颂》中所安排的采样，通过对来自第三持存的两个工业时间客体的剪辑和混合，录制的歌曲和电影便充当着机械短记忆材料，作为我们时代缺失的一种闻所未闻和独一\n\n①在这个意义上，存在不少音乐重复的精彩分析，在贝尔纳·塞夫(Bernard Sève)笔下称作变质(altération)，见《音乐变质》，索伊出版社，2002年。\n\n034\n\n象征的贫困2：感性的灾难","previous_page":33,"next_page":35}