{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":44,"pdf_page":59,"physical_index":59,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"2d652f8b27d115fa4cbb63697689062b74c4b1626e1d5e227b55f6c22d7d70b8"},"chapter":"第一章 为感觉而参与","content":"这里涉及的倒是那些社会环境不太好的学生，某些教员的话语和他们面对这种境况的不安，倒是不乏悲怆感：\n\n孩子们想通过电视机（一位教员解释说）寻找自己的一个正面形象。我将这种做法运用到教学中。例如，我用手提摄像机拍摄一些文学节目，鼓励学生参与，四名学生必须介绍一些作品。多亏了图像，他们都来上课读书。\n\n请注意来自同一篇文章中的批语：\n\n卡拉OK的设备与盒式录音机——尤其是打上《明星学院》标记的设备——是今年圣诞节购物中压倒多数的购买品。\n\n要说《明星学院》，或是更普遍意义上的音乐电视真人秀节目，是这一现象的根源，那就大错特错了。倒是痛苦的表达，即参与丧失的痛苦，才是这类节目的根源这是个乐器学的事实。这就意味着，这种痛苦也是一种力量，是一种被抛弃的力量，被丢给了超工业装置，这种装置截获、设置陷阱并摧毁力比多经济，而这种痛苦便是该经济剩下的东西而且无论如何都不能忽略，更不能轻视。让我们观看并且再次观看阿兰·雷乃的《法国香颂》，或者……看看怎样在倒进和卡拉OK①之外向前迈进一步。\n\n044\n\n象征的贫困2：感性的灾难","previous_page":43,"next_page":45}