{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":69,"pdf_page":84,"physical_index":84,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"1f4bb7c25ecb3e82e6488207b3090125118512033633a12f0de32e560885140c"},"chapter":"第一章 为感觉而参与","content":"这也意味着，如今一种美学（aisthesis）的思想（艺术的思想，以各自形式出现的感性作品的思想），它应该是一种与此密切相关的欲望的思想和一种技术的思想，它可以描述人体感性器官、技术形成的人造器官和安排它们的社会组织之间的关系演变。表达与压制的谱系思想（即面向行动的过渡和面向潜力的倒退)，欲望即任何独特性的表达与压制的思想，正是需要在此进行设想的普通器官学。\n\n①显然不是源自柏格森的生命冲动：我所说的精神能量设想了第三持存和外置记忆材料的物质性。\n\n第一章 为感觉而参与\n\n069","previous_page":68,"next_page":70}