{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":75,"pdf_page":90,"physical_index":90,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"60e211d2bbc093ad0b758426e8d9d1e8e65721f8662196aeaf5abcc7e040cd82"},"chapter":"第二章 装备仪器","content":"20.共在的探险与精神对自身的厌恶\n\n就《怀疑和失信1》语言中的说法而言，知识的客体总是处于另一层面，而非处于存在层面。准确地说，知识的客体并不存在：这是个理想客体，如人们所说的数学空想。正是在这个范围内，知识才具有能意性。但恰恰是因为它并不存在，它才是某个不能缩减为权力的知识的客体：知识的客体是一种共在（consistance)，是驻留于存在中的权力物品的能意共在。我这里谈到的是知识的所有形式：生活艺术、做事技能和理论知识，也只有理论知识试图将它们客体的理想性形式化。另外两种知识形式（生活艺术和做事技能）只能通过独特的存在方式去物化它们的共在知识。\n\n① 这将是2005年11月联合国和联合国教科文组织共同举办的突尼斯峰会的关键问题，该峰会为“关于信息社会的世界峰会”。\n\n②这也是欧仁·格林(Eugène Green)那部漂亮电影意味深长的目的，即《艺术桥》，2004年。\n\n第二章 装备仪器\n\n075","previous_page":74,"next_page":76}