{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":80,"pdf_page":95,"physical_index":95,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"818ac1f2a7d32677fbda8fa2cb69d48b4a25babba1145c07f593f6253073fadb"},"chapter":"第二章 装备仪器","content":"这里所说的就是音乐，对柏拉图而言，音乐构成了最佳的精神学科。这就像是共在思想本身的共在，因为共在形成一种汇合于无限的视角，而数学与音乐之间的关系既是事实上的相生关系，又是法律上的必需和多产关系：这种关系载入了超验的亲缘关系问题之中，处于音乐意识和音乐世界之间。\n\n但是我们也知道，自康德以来，这种亲缘关系仅仅以缺失方式存在着。音乐意识本该被构建为以数学方式构建的音乐世界，但仅仅以缺失方式进行构建，而这里所需要的正是这个缺失：这个缺失就是让音乐响起来的东西。其实数学结构若要有音乐性，只有当它处于意识之中，而这种意识自身又得由其期待而构成，通过其中蛰伏的意外(我在第三章将再谈这个隐藏于期待中的意外的问题)这个意外就是不可计算物本身，充当着超越任何数元（mathème）的独特性，而以数学方式构建的音乐却与该独特性相呼应。\n\n缺失，作为音乐本身的发声物，就是美人鱼歌声的潜力。\n\n美人鱼的歌声属于什么性质？它的缺失是什么？为什么这种缺失会让歌声有如此潜力？①\n\n①莫里斯·布朗肖，《未来之书》，第9页。\n\n象征的贫困2：感性的灾难\n\n080","previous_page":79,"next_page":81}