{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":86,"pdf_page":101,"physical_index":101,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"8d6429b45380f2123993adfdbe4dcc2e988216e8f7cd930672dba738a4ba7134"},"chapter":"第二章 装备仪器","content":"感性和轰动所构成的能意，它现在是而且将来也还是一个循环，是一个欲望的循环。其人造器官层是一个正在进化的载体，它孕育出身体器官和社会组织的去功能化和再功能化，但是它既不能消除这个感觉的身体，因为只有身体具有感性，也不能消除社会组织，因为在社会组织中只有象征化的惊呼循环，而只有通过这个象征化，心理个体化才能物化为集体个体化。（这正是我在前一卷第三章“蚁穴的寓意”中所讨论的内容)\n\n这本第二卷的目的，就是要打开器官学全面革命的前景，打开机器能意感觉性的双重重叠时代的前景，建议一个另样未来的愿景，以便在这些问题的视野中找到一个突破口：要做的就是在配备仪器的方法上有所进展，恕我斗胆，就是要朝着这样一个愿景前进。\n\n我已经回顾过这一事实，即在前工业革命时代，若不以这样或那样的方式参与音乐事件本身，要听到音乐几乎是不可能的事。这种参与可以配置成诸种形式，从吉伯特·鲁热所说的音乐人到业余音乐家都有，在留声机还没有进入的资产阶级社会中，他们学习钢琴、小提琴或视唱，以便能听赏其时代的音乐。①\n\n① 奥比耶（Aubier)，1969年。\n\n086\n\n象征的贫困2：感性的灾难","previous_page":85,"next_page":87}