{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":88,"pdf_page":103,"physical_index":103,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4e9b4abd904813f53db20e4a57ef3e236d311f8ea30e624d38fccd897b3a288a"},"chapter":"第二章 装备仪器","content":"这种表面的显而易见，却是我们开始怀疑的事实，只要我们对其主题稍做观察。对这样一个主题稍做观察，就是假定将其载入历史：载入美学角色再机关化的历史。如今正确地提出再机关化的问题，就是描述斗争的赌注、目的和手段等方面的特点，这场斗争将使再机关化以积极的方式发展，基于其本身的动力，而无须召唤一种面向先前境况的回归：不必变成反动力，不需要去神化一个业已过时的过去。\n\n关于这个问题，接下来的每个章节都会谈到，而每次都有一个专门的视角。对该问题的考察将对照《怀疑和失信》中所进行的工作，即从工业政治经济的角度并借助实践、休闲、业余（amatorat）、崇拜等概念，尤其是公共潜力和社会工业安排等概念，去描述其特点。\n\n23.充当角色机关化时代的现代性和当代性。沃霍尔与博伊斯\n\n20世纪下半叶，安迪·沃霍尔和约瑟夫·博伊斯就这种角色的机关化持有两种话语相关说法既有互补之处，至少在某些方面，又有相互对立的一面而这些角色伴随着从现代艺术向当代艺术的过渡。\n\n象征的贫困2：感性的灾难\n\n088","previous_page":87,"next_page":89}