{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":95,"pdf_page":110,"physical_index":110,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4bbbe0300f12eb2ddf308368108fe3e923dbef99cd1f1db42e86e6b4973886a2"},"chapter":"第二章 装备仪器","content":"如果说我在这里谈论能意美学的分析，这种分析却不能忽略一点，还存在一种非能意的美学：感觉灵魂的美学。\n\n24.博伊斯，印迹与蜂蜡\n\n我将在第四章详细讨论前能意感觉美学的问题，以便展示一个观点，即唯有考虑前能意感觉美学问题，才能建立能意感性的谱系：正是出于这个原因，我才在前面提出这个看法，即一个非自然物的谱系还是会而且必须要载入自然史中。这是因为能意的感性在这里，即在生者的性别化中，能够找到其谱系的资源然而这既是一种继续，也是一次决裂，一种恰恰是器官-逻辑学（organ-logique）的决裂，作为人造物器官的出现，还有人类躯体生理器官的去功能化而正因如此，约瑟夫·博伊斯去研究蜂蜡和蜂蜜。\n\n博伊斯的艺术完全是器官-逻辑学的艺术，这不仅意味着技艺永远都是一个有张力的问题，一个展开着并期待挖掘的问题，而且还意味着，“眼球必须离开视网膜”①，以便体验热量的经验（“热量不是通过眼睛来理解的”②)，也就是说它通过触觉来理解，对此亚里士多德说：\n\n① 约瑟夫·博伊斯，伏尔克·哈尔兰(Volker Harlan)，《艺术是什么?》，法文版译者卡萨纽(L.Cassagnau)，方舟出版社，1992年，第30页。\n\n②同上。\n\n095\n\n第二章 装备仪器","previous_page":94,"next_page":96}