{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","id":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","uuid":"b708aa90-cb9d-4126-93b7-4c56ecb08efe","title":"象征的贫困 2：感性的灾难","normalized_title":"象征的贫困2感性的灾难","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787305250415","isbns":["9787305250415"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":288,"navigation_url":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe","title_url":"https://workshop.closeclaw.top/ai/title/%E8%B1%A1%E5%BE%81%E7%9A%84%E8%B4%AB%E5%9B%B0%202%EF%BC%9A%E6%84%9F%E6%80%A7%E7%9A%84%E7%81%BE%E9%9A%BE","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/b708aa90-cb9d-4126-93b7-4c56ecb08efe","page_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/page","search_url":"https://workshop.closeclaw.top/api/ai/books/b708aa90-cb9d-4126-93b7-4c56ecb08efe/search"},"page":{"printed_page":98,"pdf_page":113,"physical_index":113,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"719c79abef6b2cd38e9ab426e9c4d04436a974c7a16c9e4b7154d84476352819"},"chapter":"第二章 装备仪器","content":"不过，我们的时代（文章写于1986年）在这方面正经受着痛苦，因为其特征就是印迹一边在生产一边又在消亡，犹如储存印迹的蜂蜡，加热到一定程度便成了流体，不再能担任固体物质的职责，换言之，它似乎不再能够让个体化具有亚稳定性，从而进入布朗运动的状态。\n\n每隔五年就需要某个新人登上宝座，每隔五年他也必须再次消失。这就是现代的文化活动…而文化，恰好不是这东西。①\n\n这种不能留住任何东西（也是“一刻钟成名”的模式）的流体性，就是持存方面的缺乏。这种流体性中穿梭着商品流、话语流、声音流和图像流，而且这些流体变得麻木不仁。作为流体，这种流体性自身也变得麻木不仁，它身上似乎也不会发生任何事情：这就是一种麻醉，不会从事件中得知任何东西，而这些事件其实非常意外偶然，它们在商品流岸边不断地大量发生，很有可能溢流而出，如同等量的毒液。我们将和尼古拉·劳罗（NicoleLoraux）一起看到，流体的麻木变异在悲剧时代就已经是个问题]。\n\n①博伊斯，哈尔兰，《艺术是什么?》，第42页。\n\n098\n\n象征的贫困2：感性的灾难","previous_page":97,"next_page":99}