{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":130,"pdf_page":123,"physical_index":123,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"9d36a8c4695b63d3a83e71f41ef4888ea47a66b54e9dd7d36f048c7e1cf12b00"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"安静源于无法支配的东西。无法支配的东西让注意力变得稳定并具有深度，它形成了沉思的目光。这种目光具有对长久而缓慢的东西的耐心。在一切东西都可以被支配和企及的时候，无法形成具有深度的注意力。目光不再停留。它像猎人的目光那样进行扫视。\n\n对尼古拉斯·马勒伯朗士来说，注意力是灵魂的自然祈祷。灵魂在今天不再祈祷。它制造自己。外延的交流破坏了灵魂。只有那些与祈祷相似的活动才能与灵魂达成一致。然而沉思与制造对立。制造和交流的强制破坏了沉思的深沉。\n\n依据巴特，摄影作品必须是“安静的”。他不喜欢“具有轰鸣声的照片”。“如果人们想要更确切地观看一张照片，抬头或者闭上眼睛”[161]，或许会更合适。刺点，即一张摄影作品的真相在安静中、在闭上眼睛时显露出来。知面所营造的信息则带来噪音。这些信息对知觉施加强制。只有安静，即闭上眼睛，才能让想象力运转。巴特引用卡夫卡说：“人们给物拍照，以便从感官中驱除它们。我的故事就是某种类型的闭上眼睛。”[162]\n\n[161] Barthes, Die helle Kammer, a.a.0., S. 62 ff.\n\n130","previous_page":null,"next_page":131}