{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":150,"pdf_page":142,"physical_index":142,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f54524ce727a9e76e568f167216ce99592fa4d4a8ad0a12bfb50be75a2e329f4"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"汉德克指出，点唱机让围绕着它的一切事物获得了内在强化的当下、获得了当下的在场。邻近点唱机的时候，每一种习惯都变成了当下发生的事件。物产生了一种重力，它缩合并深化围绕着当下在场的那些易逝现象。当下在场的创造、经过强化的当下、内在强化的当下构成了物的魔力：“在他的物旁边，过去通常已经结束了的事物获得了完整而独特的当下特性。他尽可能在那些酒馆里占据一个他的位子，即在他的这个位子上，他可以将整个房间以及外面的一片风景都收入他的眼中。在这个位子上，伴随着点唱机，浮想联翩，不进行令他厌恶的观察，这往往就实现了对自己的强化，或者恰好让当下显现，以及让其他景象在当下显现。而当下在这些景象上显现的事物，与其说是引人瞩目的或者刺激的东西，不如说是习以为常的东西，即便只是常见的形式或颜色，但对他来说，这一得到强化的当下是极具价值的东西——没有任何东西比这一当下更宝贵且更值得流传(……)。它说出了某种东西，用很简单的方式，一个男人走过、一株灌木摆动、无轨电车还是黄色的并且转弯到了火车站、街道的十字路口形成了一个三角形、女服务员站立在门边、粉擦躺在台球桌的边缘、下雨了，等等。”[181]点唱机的魔力就在于它将当下、当下在场和内在的强度赋予了次要的、无足轻重的、习惯的、常见的、易逝的东西。物强化了存在。在易逝的景象中仿佛放入了“关节”，即放入了骨骼和骨架。这些景象由此获得了延续。\n\n150","previous_page":null,"next_page":null}