{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":"22 / 025","pdf_page":25,"physical_index":25,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"e4861238734a5f03edd34a61c69f02a3d3ca85169ea748f014c10ce7fe939cea"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"在非物时代，人们可以在占有中识别出一种乌托邦式的腔调。占有的特征是私密性与内在性。只有与物建立一种深入的关系才能占有这种私密性和内在性。人们并不占有电子设备。今天的消费品会非常快地沦落到垃圾场里，这是因为我们不再占有这些消费品。人们将占有内在化，并且给它填充了心灵的内容。我占有的物是情感和回忆的容器。物因为长久使用而具有了历史，这种历史给予物以灵魂，让物成为心爱之物。但是通过深入的、力比多式的情爱关系，只有私密的物会成为心爱之物而存活着。今天的消费品是非私密的，纠缠不断且喋喋不休。它们都已经装载了预先制定好的、强加给消费者的观念和情绪。任何本己生活的事物都不会出现在它们身上。\n\n如本雅明所说，占有是“人们与物之间所能够拥有的、最深沉的关系”[27]。收藏家是物最理想的占有者。本雅明将收藏家提升为一种乌托邦式的人物，提升为物的未来拯救者。收藏家将“对物进行美化”作为自己的使命。他“不仅梦想自己身处遥远的或过去的世界之中，而且梦想自己处在更美好的世界中；在这个世界中，虽然像日常世界那样，人们同样很少拥有他们需要的东西，但是物却免受要成为有用之物的苦差”[28]。\n\n造—越来越多地改写了艺术的进程。创意变成了这种制造的口号。\n\n22\n\n[27] Walter Benjamin, Denkbilder, in: ders., Gesammelte Schriften, Bd. IV.I, Frankfurt/M. 1972, S. 305-438, hier: S.396.\n\n025","previous_page":24,"next_page":26}