{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":"76 / 109","pdf_page":103,"physical_index":103,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"791811f0b79e1607ff8d9b3a959447792118c46f802c23cca993b8a4ad2cf407"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"作为物的艺术作品不是思想的承载者。它不描画任何东西。引导表达过程的不是清晰的概念，而是一种不确定的狂热、错乱、内在的强度、无法说清的催促或欲求。在《塞尚的怀疑》这篇文章中，莫里斯·梅洛-庞蒂写道：“表达不应是单纯对已然清晰的思想的重复，因为清晰的只是那些我们或者他人已然说出的思想。‘构想’不应先行于实现’。在表达之前就存在的东西只有一种不确定的狂热………”[129]件艺术作品的含义多于人们从它那里提取出的全部含义。在自相矛盾的意义上，这种含义富余的原因就在于放弃了含义。它源于指称符号的富余。\n\n当今艺术的问题是：倾向于宣告事先形成的意见、道德或者政治的信念，即倾向于传递信息。[130]构想先行于实现。艺术由此沦落为描画。不是不定的狂热来规定表达的过程。艺术不再是那种以无意向的方式将物料变为物的手工作品，而是一种与先行完成的观念进行交流的思想作品。对物的遗忘席卷了艺术。艺术被交流所独占。它变成了承载信息和话语的东西。它不再产生诱惑，而是想要给予教导。\n\n唱”则反而不会触动人。\n\n[129]Maurice Merleau-Ponty, Das Auge und der Geist. Philosophische Essays, Hamburg 2003, S. 17.\n\n[130]正是艺术的政治化导致了艺术的祛魅。参见Robert Pfaller， Die blitzenden Waffen. Über die Macht der Form, Frankfurt/ M.2020, S.93。\n\n76\n\n109","previous_page":102,"next_page":104}