{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":"78 / 111","pdf_page":105,"physical_index":105,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d56785030177ac86a7c8a99dc5dea4904ea77ba7fb363cf9ec103ab706618d27"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"东西。”[132]\n\n信息和交流的体制与秘密不相容。秘密是信息的对手。这种语言的含糊不清恰好没有给予任何可以说出的东西。对艺术来说，关键在于“在话语之下产生诱导，以不可见的方式，神秘地从一个符号流通到下一个符号”[133]。在话语之下、在诠释学的对立面来产生诱导。它比意义和含义更迅速、更灵活。\n\n艺术作品具有两个层次，即朝向再现的面向和背对再现的面向。我们可以称前者为“表现层次”(Phänoschicht)，称后者为“天然层次”(Ge-no-schicht)。承载对话的、道德化或政治化的艺术不具有任何天然的层次。它虽然具有意见，却没有欲求。带有非物之灵韵的艺术作品则具备作为秘密所在地的天然层次，因为它拒绝任何形式的划归和意义派分。非物给人留下深刻的印象，因为它不提供信息。它是艺术作品的背面、神秘莫测的后院、“细微的偏离”，确切地说，是它的无意识之物。它反对艺术的去魅。\n\n78\n\n[132] Jean Baudrillard, Von der Verführung, München 1992, S. 110.\n\n[133] Ebd., S. 111.\n\n111","previous_page":104,"next_page":106}