{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","id":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","uuid":"bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702","page_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/page","search_url":"https://workshop.closeclaw.top/api/ai/books/bc8ca5fd-fd77-4dc8-884d-5c832ab8a702/search"},"page":{"printed_page":"95 / 132","pdf_page":125,"physical_index":125,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"6cfa1632e0452ac9e6a65f2c9687695e43eafbc592815b4476be4b85f4330a9e"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"噪音既是一种声音的污物，也是一种视觉的污物。噪音污染了注意力。米歇尔·塞尔(MichelSerres）将对世界的污染回溯到动物性根源的占有意志上：“狮子在它活动区域的边界上排尿。狮子和狗也这么做。和这种食肉的哺乳动物相似，许多动物、我们的远亲[165]都用它们难以祛除的、腥臭的尿液来标识出它们的领地。也有用它们的吠嚎——或像燕雀和夜莺那样，用动人的歌声—来标识领地的。”[166]我们向汤水吐唾沫，以便可以独自享用它。世界不仅被排泄物和垃圾污染，也被交流和信息的垃圾污染。它被贴满了广告。一切事物都聒噪地冲向注意力：“行星完全被垃圾和广告牌占据了。（……）每一个山谷、每一片树叶、每一块可耕种的地块里都植入了广告；每一根草上都写着字母（……）。正如传说中的大教堂一样，一切东西都在符号的海啸中沉沦。”[167]\n\n非物挤占物的位置并污染物。信息和交流的垃圾破坏了物的安静风景、微妙的语言：“粗暴的文字和图像强迫我们去阅读，而世界之物则向我们的感官寻求意义。后者提出请求；前者则是在下命令。（……)我们制造出的物品已经具有含义—具有扁平的含义，这一含义越不具体、越和垃圾相近，人们就越能简单地感知到它。图像，即图画的垃圾；标志，即文字的垃圾；广告，即目光的垃圾；广告短片，即音乐的垃圾残渣。这些简单和低级的符号自动而强行地出现在知觉中，取代了更为棘手的、微妙的、沉默的风景，这种风景往往在人们不再看见它时消失，因为正是知觉在拯救物。”[168]\n\n95\n\n[165][译注]这里指与人相似的灵长类动物。\n\n[166] Serres, Das eigentliche Übel, Verschmutzen, um sich anzueignen, Berlin 2009,S. 7.\n\n[167] Ebd., S.76.\n\n132","previous_page":124,"next_page":126}