{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","uuid":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c1acbb68-5873-42b3-b81a-ecd4fc576447","page_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/search"},"page":{"printed_page":107,"pdf_page":101,"physical_index":101,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"d392e92f4e4c248e82406ac639b2a51a597ecfaa4b63124c958832a24018dbf1"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"蓬热的诗学致力于用语言来表达物本身，即处在物的他性中的、处在物的独立意愿中的、处在物的有用性之彼岸的物。语言在这里不具备描绘物、再现物的功能。相反，蓬热的物之光学（Ding-Optik）物化了语词，让它们更接近物的状态。它们用一种模仿的天真刻画出了语言和物之间神秘的呼应关系（Korrespon-denz)。就像在瓦尔泽那里一样，诗人完全无需观念。\n\n声音也占据着物性一身体性的维度，这一维度恰好展现在声音的“粗犷”中，展现在声音“音响指称符号的快感”[127]中。声音中的物性让人们可以听见舌头和黏膜、听见它们的欲求。它们构成了声音的感性肌肤。声音不仅得到了清晰的表达，也获得了身体性。完全产生于含义的声音则无需身体、无需享乐、无需欲求。和瓦尔泽一样，巴特也明确谈到了语言的肌肤、语言的身体：“某物在此存在着，人们不可能漏听它，它具有独立的意义（人们只是听到了它），它处在语词含义的彼岸（或者此岸）……某物直接就是歌手的身体，这个身体在同样的运动中从空腔的深处，从肌肉、黏膜和软骨的深处………侵入耳朵，仿佛那同样的肌肤覆盖在发声者的内在肉身和由他所唱出的音乐上。”[128]\n\n[124] Ponge, Schreibpraktiken, a.a.O., S. 82.\n\n[125][译注]此处的 Wörter与前文中频繁出现的 Worte在德语用词上有别，故分别译为“语词”（Wörter）和“言词”（Worte)。\n\n[126] Ebd., S. 13.\n\n[127]Roland Barthes, Rauheit der Stimme, in: Der entgegenkommende und der stumpfe Sinn. Kritische Essays III, Frankfurt/M. 1990, S. 269-278, hier: S. 272.\n\n107","previous_page":106,"next_page":108}