{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","uuid":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c1acbb68-5873-42b3-b81a-ecd4fc576447","page_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/search"},"page":{"printed_page":26,"pdf_page":26,"physical_index":26,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"fbf571dd66399fd5a59409f8a96a50c515b2854680508ad209a56fe046aa4d80"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"在这种乌托邦式的未来中，人们完全以不同的方式来使用物，这种使用不再是消费。作为物的拯救者，收藏家献身于西西弗斯式的使命，“通过他对物的占有来消除物的商品属性”[29]。本雅明的收藏家很少对物的有用价值和使用价值感兴趣，而是热衷于物的历史和面相。作为物之身世渊源的时代、风景、手工和占有人，它们在收藏家手上结晶为一部“具有魔力的百科全书，这部百科全书的总体就是他的藏品之命运”[30]。真正的收藏家是消费者的对立面，他是物之世界的算命人、面相师：“他很少将它们（物）留在手中，因此他似乎完全是通过物来获得灵感，去洞察物\n\n23\n\n[28] Walter Benjamin, Das Passagenwerk, Gesammelte Schriften, Bd. V, Frankfurt/M. 1982, S. 53.\n\n[29] Ebd.\n\n[30] Benjamin, Denkbilder, a.a.O., S. 389.\n\n026","previous_page":null,"next_page":27}