{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","uuid":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c1acbb68-5873-42b3-b81a-ecd4fc576447","page_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/search"},"page":{"printed_page":60,"pdf_page":57,"physical_index":57,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"23ddf2466a1ab75a6dad8bc8522ce9ad25c768bca71ac5301e31a42f22070158"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"自拍的特点是游戏性。数字化交流展现出了游戏的特性。“智声”发现交流就是它的游戏方式。与劳作之人相比较，他更多的是游戏之人。借助于数字摄影，图片交流在本质上比单纯的文字交流更适合用来游戏和表演。\n\n因为自拍首先是讯息，它们具有表达多言的倾向。因此极端的拍摄姿势占据着主流。不存在沉默的自拍。模拟的肖像摄影反而通常是沉静的。它们并不渴求关注。正是这种沉静赋予了它们一种表现力。自拍虽然是喧嚣的，但是缺乏表现力。因为过分夸张的展现使得自拍的效果像是带上了假面一般。数字化图像交流对人脸的过度占有是会产生后果的。它让人脸具有商品的形态。本雅明或许会说，人脸最终失去了它的灵韵。\n\n模拟的肖像摄影是一种静物写生。它们必须去表现人格。因此，我们在摄影镜头前追求的往往是让图像契合我们自身，让图像贴近我们自己内在的图像、触及这种内在的图像。我们短暂地停下来(innehalten)。我们转向自己的内在(nach innenwenden)。因此，模拟的肖像摄影总是产生出严肃的效果。拍摄的姿势也是审慎的。与之相对，自拍不是人格的见证。类似于“嘟嘴”这种标准化的脸部表情则完全无法表达人格。（自拍时）伸舌头和闭上一边眼睛看上去都是一样的。我们制造我们自己，这意味着我们会用各种姿势和角色来让我们自己变成场景。\n\n44\n\n060","previous_page":null,"next_page":61}