{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","id":"c1acbb68-5873-42b3-b81a-ecd4fc576447","uuid":"c1acbb68-5873-42b3-b81a-ecd4fc576447","title":"非物：生活世界的变革","normalized_title":"非物生活世界的变革","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":153,"navigation_url":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E7%89%A9%EF%BC%9A%E7%94%9F%E6%B4%BB%E4%B8%96%E7%95%8C%E7%9A%84%E5%8F%98%E9%9D%A9","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c1acbb68-5873-42b3-b81a-ecd4fc576447/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c1acbb68-5873-42b3-b81a-ecd4fc576447","page_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c1acbb68-5873-42b3-b81a-ecd4fc576447/search"},"page":{"printed_page":"69 / 099","pdf_page":93,"physical_index":93,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"a352004786b67a4dee619c11d67003bb1ee9d425f376d45f9bcbf706f725033b"},"chapter":"非 谢晓川译 韩炳哲 Byung-Chul Han 物著","content":"(studium)[108]涉及的是从我们在摄影观察时所记录下的信息中延展出来的场域。它关系到的是“无关切的愿望、无目标的兴趣、不连贯的倾向之场域：我喜欢(ich mag)/不喜欢、我喜爱(I like)/不喜爱”[109]。“知面”属于“喜爱”(to like)而非“热爱”(tolove）的场域。伴随它的只是“不确定的、表面的、无责任的兴趣”[110]。视觉信息完全可以产生震撼，但是它们不会带来“伤害”。不会出现任何的“惊慌”(Betroffenheit)。“知面”缺少任何形式的暴烈特性。它不会产生内在的强度。作为“知面”基础的知觉是外在延展性的、加成性的和累积性的。“知面”是一种阅读。它没有魔力。\n\n摄影的第二个元素叫作“刺点”(punctum)。它打断“知面”。某种“像箭一样的东西，它从自己的整体中向外射出，以便穿透我”[111]。“刺点”粉碎了信息构成的连续体。它是最高的内在强度和浓缩的所在地，这里包含了某种无法被定义的东西，这种无法被定义的东西摆脱了任何一种形式的再现：“无法命名某种东西是内在不安的确切标志。（………）作用就在这里，然而它无法被定位，它既没有获得它的标志，也没有获得它的名号；它是穿透性的，然而还是在我自己之我’(meinesIchs）的某一片区域里停留了下来（……)。”[112]\n\n69\n\n[108][译注]在罗兰·巴特的《明室》中，他用拉丁文单词studium（中译“知面”）和punctum（中译“刺点”）来命名他本人理解摄影作品的两个元素。译文选择的中译名参见：罗兰·巴特，《明室——摄影札记》，许琪玲译，台湾摄影《季刊》1995，第34-36页。\n\n[109] Barthes, Die helle Kammer, a. a. O., S. 36.\n\n[110] Ebd., S.37.\n\n099","previous_page":92,"next_page":94}