{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","uuid":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","normalized_title":"技术与时间2迷失方向人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","isbns":["9787544711999"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":306,"navigation_url":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A2.%E8%BF%B7%E5%A4%B1%E6%96%B9%E5%90%91%EF%BC%9A%E4%BA%BA%E6%96%87%E4%B8%8E%E7%A4%BE%E4%BC%9A%E8%AF%91%E4%B8%9B","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c377f608-9f8d-4e82-acf0-78a48f7daa88","page_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/search"},"page":{"printed_page":151,"pdf_page":160,"physical_index":160,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"882fd6e713eb1b63efb0cf0829ef9d6aeef395ce4c8cafcfce3f829fdc58bdfc"},"chapter":"第三章记忆的工业化","content":"反之，写作无非首先也是阅读。卡尔维诺在庆祝文学机器的诞生并展望它在控制领域的前景时写道：\n\n文学创作过程一旦被拆卸和重组，文学的决定性时刻就成了阅读①。\n\n塞尚让我们阅读自然，因为他知道只着眼于他有能力描绘的东西。只有当他能够画出来时，他的山野景象才是真实的。圣·维多利亚山的真实性正是这种可能性：\n\n让我们阅读自然，在个人的也是传统的美学中找到我们的感受。谁看得最深远，谁能像伟大的威尼斯画家们那样淋漓尽致地表现，谁的水平就最高。\n\n风景写生并不是复制观察的对象，而是表现自己的感受。\n\n[…]阅读自然就是用和谐有序的色块在画布上表现自然、观看自然。于是可以从色调的细微变化来分析这些大的色块。绘画就是记录五彩缤纷的感受。\n\n第三章记忆的工业化\n\n① 卡尔维诺:《文学机器》,Seuil,1993年版。\n\n② 位于法国南部的圣维多利亚山(Sainte-Victoire)是印象派画家塞尚的钟爱之一，他的许多代表作均以此山为题材。——译注\n\n151","previous_page":150,"next_page":152}