{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","uuid":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","normalized_title":"技术与时间2迷失方向人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","isbns":["9787544711999"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":306,"navigation_url":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A2.%E8%BF%B7%E5%A4%B1%E6%96%B9%E5%90%91%EF%BC%9A%E4%BA%BA%E6%96%87%E4%B8%8E%E7%A4%BE%E4%BC%9A%E8%AF%91%E4%B8%9B","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c377f608-9f8d-4e82-acf0-78a48f7daa88","page_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/search"},"page":{"printed_page":231,"pdf_page":240,"physical_index":240,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ad2291906345c8e05499599fc71f21874e9bacaa38f94c026af863795dc83e9f"},"chapter":"第四章时间物体和滞留有限性","content":"事实上原初联想的整个领域都是当下的和实在的体验。原初联想所产生的一系列原初时间环节以及属于时间物体的其他环节都属于这个领域。②\n\n感知与想象之间似乎存在着一种本质上的非持续性，与此相反的是“大当即”的持续性。乐曲中的每个音之所以是乐符而不仅仅是声音，正因为它把前一个音留在自身之内，这就把乐符之特性赋予了这两个音。前一个乐符中又留有更前面的所有乐符，乐曲正是以此方式呈现在其统一性中。乐曲这样产生的原因是:物体具有时间性，当即把刚刚过去的一切留在它自身之内。于是，这个后来被胡塞尔称为“原初印象”的当即就成了刚刚过去的、持续的、持续在场也持续过渡的变化。原初印象构成接替的印象，是物体的时间性，在其过渡期间改变它留住的、在它内部流动且通过它而流动的滞留。\n\n然而我们将指出，必须从动态上重新考察有关时间物体的所有问题。从动态上看，即刻呈现的声音已经是对初级记忆中刚刚过去的所有声音的重新阅读，因而也是对过去的声音的改变。但这样一来，这种改变又反过来影响在作为原初印象的当下听到的声音的过渡。所以原初印象只是以环绕的方式从某个已构成物(即某个初级滞留印象的，本身\n\n第四章时间物体和滞留有限性\n\n①《时间与叙事·第三卷》,第46页。\n\n②《内在时间意识的现象学讲座》,第29页。\n\n231","previous_page":230,"next_page":232}