{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","uuid":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","normalized_title":"技术与时间2迷失方向人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","isbns":["9787544711999"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":306,"navigation_url":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A2.%E8%BF%B7%E5%A4%B1%E6%96%B9%E5%90%91%EF%BC%9A%E4%BA%BA%E6%96%87%E4%B8%8E%E7%A4%BE%E4%BC%9A%E8%AF%91%E4%B8%9B","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c377f608-9f8d-4e82-acf0-78a48f7daa88","page_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/search"},"page":{"printed_page":234,"pdf_page":243,"physical_index":243,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"df8c7d2f49881724d48dadb6214cd34b1c3fe1ca8feb4ce6864115d2e62a99bc"},"chapter":"第四章时间物体和滞留有限性","content":"对声音的纯质料分析拉平了听的现象，并且事先遮蔽了“能听到”的问题。“能听到”的“失音”后来是存在性分析的最深层次—这样的分析让人很难看到它如何把握听到与听的区别。当我听到一段乐曲时，我的意向并不比我听到某种“响动”时更集中到声音上。这里说的不是一种纯粹的响动，而总是某种东西的响动。\n\n现象学中的听比人们在心理学中“首先”规定为“听”的东西——即对声音的感知——更原始。听也是理解地听到的存在方式。我们永远不会“首先”听到很多响动或一串声音，而总是听到汽车或摩托车的刺耳声响。我们听到的是行进的军队、呼啸的北风、笃笃的啄木鸟、劈啪作响的火焰。①\n\n听到某个声音总是向着作为某种东西的声音的“意识”蔓延。这种听到是听的条件，包括听某个真正的声音、有意听到的声音，它脱离使其首先听到的意向性，它的来源在意向性中被悬置但仍能以原初状态显现。然而涉及到乐曲时，声音的乐符性便丧失了。\n\n我们听到乐曲就是感知到乐曲，因为听到就是感知到。第一个乐符刚一响起，第二个乐符就接踵而至，然后是第三个，依此类推。\n\n技术与时间\n\n①《存在与时间》,第34节。\n\n234","previous_page":233,"next_page":235}