{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","uuid":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","normalized_title":"技术与时间2迷失方向人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","isbns":["9787544711999"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":306,"navigation_url":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A2.%E8%BF%B7%E5%A4%B1%E6%96%B9%E5%90%91%EF%BC%9A%E4%BA%BA%E6%96%87%E4%B8%8E%E7%A4%BE%E4%BC%9A%E8%AF%91%E4%B8%9B","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c377f608-9f8d-4e82-acf0-78a48f7daa88","page_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/search"},"page":{"printed_page":253,"pdf_page":262,"physical_index":262,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f70e0291d485d0cf9333f891adf7dc3ca229a8ff4558a6b1f5d64873bef13a6e"},"chapter":"第四章时间物体和滞留有限性","content":"10.图像意识、记忆丧失及重新开始的自由\n\n所有的时间印象中都包含着滞留，而所有的滞留，无论是初级的还是二级的，都与原初印象衔接在一起(第十三节)。所以滞留在其可能性中无论如何都不会产生于非体验之后，或产生于作为第三纹迹经验的绝对的非感知性之后。正相反，原初印象应当像建立初级滞留那样建立重新记忆(第二记忆)的明证性:我可以重新激活这个记忆。它之所以能被重新激活，是因为它被体验过。不同于所有图像意识的是，这个回忆建立在原初印象的基础上。\n\n当滞留不属于初级滞留时，过去的意识便享有一定的自由度(第十四节)。这种自由可以是相对于第二记忆的自由，人们可以在第二记忆中重组过去，与其一道“编织”，我们不久就会回到这个至关重要的问题上来；这种自由也可以是相对于真正的图像意识的自由，真正的图像意识即诸如图形、图案、照片、各种纹迹以及世界历史的其他“什么”的超验表象。\n\n然而如何看待记忆丧失的问题呢？第三记忆首先是对记忆丧失的填补，也就是胡塞尔声称理论上已消除，但事实上仍存在的滞留有限性。\n\n马尔罗在分析波德莱尔的视觉记忆失误的可能性时就谈到这种滞留有限性。视觉记忆难免出错，人们无法用它来弥补陈列在博物馆的艺术品系列的全部艺术的缺陷①。能让人弥补记忆缺陷的是照相技术。并非要弥补全部艺术的缺陷，而是要在比较各种作品时体验它。\n\n第四章时间物体和滞留有限性\n\n253","previous_page":252,"next_page":254}