{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","id":"c377f608-9f8d-4e82-acf0-78a48f7daa88","uuid":"c377f608-9f8d-4e82-acf0-78a48f7daa88","title":"技术与时间：2.迷失方向：人文与社会译丛","normalized_title":"技术与时间2迷失方向人文与社会译丛","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787544711999","isbns":["9787544711999"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":306,"navigation_url":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88","title_url":"https://workshop.closeclaw.top/ai/title/%E6%8A%80%E6%9C%AF%E4%B8%8E%E6%97%B6%E9%97%B4%EF%BC%9A2.%E8%BF%B7%E5%A4%B1%E6%96%B9%E5%90%91%EF%BC%9A%E4%BA%BA%E6%96%87%E4%B8%8E%E7%A4%BE%E4%BC%9A%E8%AF%91%E4%B8%9B","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c377f608-9f8d-4e82-acf0-78a48f7daa88/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c377f608-9f8d-4e82-acf0-78a48f7daa88","page_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c377f608-9f8d-4e82-acf0-78a48f7daa88/search"},"page":{"printed_page":255,"pdf_page":264,"physical_index":264,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"f805796356bb91deb72cd2c8627b7f503d69cb120740882ae98b647008f5c60a"},"chapter":"第四章时间物体和滞留有限性","content":"第三记忆的“超验性”具有构成性：我们不能还原任何时间物体的技术性，也不能还原照相的曾经在此的技术性。先验场因此变成了非先验场，即超越经验与先验的对立:将二者加以区别但不对立。\n\n11.重新建构、留声机这种模拟的时间物体的指向和脚②\n\n第十四节又回到半途中断的乐曲问题，描述了在第二记忆中重新建构准聆听的前摄与滞留初级链的可能性。\n\n让我们看一个第二记忆的例子：我们可以记起不久前在某场音乐会上听到的乐曲。很明显，记忆现象的构成整体上与对乐曲的感知之构成完全相同，那就是：需要改变的东西已经改变了(mutatismutandis)。它们有这么一种优越性：记忆的当下瞬间与感知的当下瞬间相吻合。我们在想象中回顾乐曲，作准聆听，先听到第一声，然后第二声，依此类推。每一个当下的瞬间都有一个声音(或一个声音段)，但前面的声音并未被从意识中抹去。通过领会现在出现的声音，即现在准听到的声音，我们把刚刚准听到之声音的初级记忆与对即将到来的声音的期待(前摄)融为一体。当下瞬间重新为意识产生时间光晕，后者产生在理解记忆的持续中。[…]上述一切都与感知和初级记忆相同，但它们又不是感知和初级记忆本身。实际上我们什么也没听到。①\n\n第四章时间物体和滞留有限性\n\n① 海德格尔：《现象学的根本问题》，第314页以及后面的内容，Gallimard,1985年版。\n\n② 脚的概念见《爱比米修斯的过失》第一部分的第三章第二节“一切从脚开始”。——译注\n\n255","previous_page":254,"next_page":256}