{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","title":"The Great Accelerator","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"requested_by":"printed_page","book":{"source_type":"original_book","book_id":"c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","id":"c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","uuid":"c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","title":"The Great Accelerator","normalized_title":"thegreataccelerator","author":null,"edition":null,"publisher":null,"year":null,"isbn":null,"isbns":[],"parsed":true,"ai_readable":true,"document_type":"book","page_count":105,"navigation_url":"https://workshop.closeclaw.top/ai/book/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","title_url":"https://workshop.closeclaw.top/ai/title/The%20Great%20Accelerator","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9","page_url":"https://workshop.closeclaw.top/api/ai/books/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9/page","search_url":"https://workshop.closeclaw.top/api/ai/books/c9e50db4-8e2c-4b0d-8c33-a4a2b889d9a9/search"},"page":{"printed_page":48,"pdf_page":54,"physical_index":54,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"ab4c0662e4b8709745e5f6196b810191d9fc5db9f9d1923bcfb1c39a378609c8"},"chapter":"ViRiLIO","content":"生活方式，从农民生活沿袭下来的习惯的都市生活，日复一日的生活，到季节的节奏，以一种互动瞬间的纳米时间加速不再允许的方式。\n\n在20世纪20年代，作家约瑟夫·罗斯(JosephRoth)感受到了被称为“国际风格”的建筑风格的更深层次的意义，在这种风格中，装饰和体积的剔除，伴随着卫生学家对住房最大阳光和透明度的神话。商店櫥窗被提升为玻璃BUILDING，使所有的亲密关系失去了居民过度暴露在所有人的眼睛里，失去了日常生活的时间轴承，伴随着生活节奏的迷失。城镇的夜间照明由于取消了承重墙而更加完善，“幕墙”和自动百叶窗作为“透明相机”的百叶窗，在这个时代，快照将很快克服长期持续的束缚，纯粹的情感媒体BUILDING甚至照亮城市的公共空间，就像时代广场一样。\n\nTHE GREAT ACCELERATOR\n\n48","previous_page":47,"next_page":49}