{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":"/251 / 174","pdf_page":271,"physical_index":271,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"06e24184d9b782353138f24a7865f7c9ac47825370d2f710a33e3980f11aee74"},"chapter":"非人：漫谈时间","content":"中午，马路在左右两边的白杨下延伸至尽头，这尽头因满月而被陌生化，几年前，夏天，约莫23点，那时火星与金星相聚。布鲁奇诺2从罗马打电话给我，问我是否看了星空，神奇的星空。剧院的灯光师深知光的风景设计师功能。如同印象派画家。或者晦暗方面，如同伦勃朗。\n\n在一个声音世界里自行陌生化。耳朵粉碎各种对和谐而有旋律的倾听的保护，并且向唯一的音色打开。那么这就是贝多芬最后的四重奏所描画的风景。\n\n无限，风景要求的不可穷尽的保留:“一座我们认识每个房间的皇宫不值得被居住”，兰佩杜萨1写道。洞穴就是这样一座皇宫，可居住是因为不可居住。\n\n风景之所在\n\n/251\n\n174\n\n1“estrangé”应该来自英语单词“estranged”，意指“被疏离的、被隔离的”。——译者注2 詹弗朗科·布鲁奇诺(Gianfranco Baruchello，1924—)，意大利画家、诗人和电影人。他的思想亲近杜尚、德勒兹和利奥塔，属于后现代先锋艺术。他的艺术目标是达到一种“伦理美”(beauté éthique)，对于他来说，艺术创作与一种“自我存活的柔软技术”紧密相关，这种技术可以抵抗社会和权力的压制。—译者注","previous_page":270,"next_page":272}