{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":125,"pdf_page":145,"physical_index":145,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"3dbff3a2d42cce0dc65423a1169713f3a5096972781bf5d736952e3074bc8aca"},"chapter":"非人：漫谈时间","content":"存在在命令中显露自身。艺术不是一个由目的（即接收者的愉悦）界定的种类，更别提游戏了。游戏的规则在于发现，而艺术实现(accomplir)一项本体论的任务，也就是说“时间的”(chronologique）任务。它实现（accomplir)任务却没有终结(achever)自己。它需要无休止地重新开始见证意外事件，同时让意外事件发生。在1963—1966年题为“这里I”(HereI)、“这里II”(Here II)、“这里 III”(Here III)的第一批雕塑里，如同在1961年完成的《残破的方尖碑》(Broken Obelisk)里，我们认出如此多“拉链”(Zip)的三维版本，拉链用其笔直的杠子划掉——不可阻挡地，但是从未在相同的地方——所有画作。纽曼的垂直不仅仅包含着激昂感(élation)，还有离开抛弃和非意义之地时的痛苦。它不仅仅直立，它也坠落和摧毁。方尖碑倒转的尖端触及金字塔之顶“如同”在西斯廷教堂的天花板上上帝的手指触及亚当的手指。作品在瞬间直立，而瞬间之光流溢在作品上如同一道最微弱的戒律：你存在（Sois)。\n\n瞬间，纽曼\n\n125","previous_page":124,"next_page":null}