{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":144,"pdf_page":164,"physical_index":164,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"e74b807bc88cd2f7786edcad82703a04a9758de0915527869339303262316ccf"},"chapter":"非人：漫谈时间","content":"梅洛-庞蒂评论过他所称的“塞尚的疑惑”(doutedeCézanne)1，好像画家的关键确实在于抓住和还原生成中的知觉，知觉“之前”的知觉，我要说的是:画家的关键是正在作为事件发生的颜色,“发生”(某事:颜色)——至少是在眼前的神奇。在现象学家梅洛-庞蒂看来，这种对塞尚的小感觉之“本源性”价值的信任并没有多少可信度。塞尚自己常常抱怨这些小感觉的不足，他写道:它们是些“抽象”，“它们不能让他画满他的画布”。但是为什么应该要画满画布呢?难道抽象是禁止的吗?\n\n144\n\n102\n\n/非人：漫谈时间\n\n1 这也暗指梅洛-庞蒂的一篇同名文章，收录在文集《意义与非意义》(Sens et non-sens)里。——译者注","previous_page":143,"next_page":145}