{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":149,"pdf_page":230,"physical_index":230,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"27f6592b1aad0d667c913f0826fa15128192062215511d68f9b05c0e880e23cd"},"chapter":"非人：漫谈时间","content":"上帝与木偶\n\n我本想讲述的故事是这样的:重复为了重复而逃脱重复(la répétition s’évade de la répétition pour se répéter)。通过力争让 自己被遗忘，重复固定了它的遗忘，而这样它重复了它的不 在场。\n\n重复是一个时间的问题。音乐也是一个时间的问题。但也是声音物质的问题。人们说:音乐时间是“被印刻”(imprimées)(什么词啊！）在声音物质、声音上的各个形式的组织或者整体。所有的组织，所有的形式，无论空间上的还是时间上的，都包含着重复，当前的或者可能的重复。因为它透过时间的延续固定物质的状态，而且因为这种固定要求对物质元素进行反复组织。另外，人们说:声音，物质本身，在其各种参数(振幅、乐段、频率、音长、共振)上是可分析的，而且由于声音关系到气体（空气）的振动，这种运动及其传播的本质同样蕴含着一种重复:引发这种运动的可动部分的振荡(oscillationdumobile)(比如长笛的舌簧)是重复的。另外，共振装置的硬度也是重复的。这里，形式的组织，甚至概念的组织“深入”\n\n149\n\n1 文章出自一篇1987年1月在里昂召开的“音乐与重复”(Musique et répétition)研讨会上发表的报告。这次研讨会由玛丽-路易斯·马莱(Marie-LouiseMallet)发起，由国际哲学学院组织。","previous_page":148,"next_page":150}