{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":163,"pdf_page":252,"physical_index":252,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"4d0a8b21acc89976f98c7ad35a73a2ea85cc671f35fb379cc4f3f83bd3f6f99f"},"chapter":"非人：漫谈时间","content":"这里举一个例子，即我们是如何理解相较于节拍器的限制而言的声音节拍之“解放”的。我们扩大了节奏音区。埃德加·瓦雷兹算是“声音解放”运动的创立者和第一活跃分子，尤其是他对新兴技术的运用。他解释说：\n\n节奏，在我的作品里，来自独立元素之间相互而又同时的效果，这些元素在被预设却又不规律的时间段里出现。(《文集》[Écrits],p. 158)\n\n他在这里谈论的是整个作品的节奏，一个复调的节奏，如果大家愿意的话，而非一个单声元素的节奏。在西方的传统里，这个节奏是由对位法调控的。瓦雷兹将对位法与音层或者音群(plans ou masses sonore)的互相“投射”概念对立起来。投射要在几何画或者情感画的意义上理解，它是一个很接近“终止计量器”的观念：\n\n232/非人：漫谈时间\n\n163\n\n1 埃德加·瓦雷兹(EdgarVarèse,1883—1965),法裔美籍作曲家，20世纪著名的先锋派作曲家，在序列音乐、噪音音乐、电子音乐和微分音的运用上都有很大贡献，本文中提到的《积分》(Intégrales)、《亚美利加》(Amériques)、《电离》(Ionisation)都是他的代表作品。——译者注","previous_page":162,"next_page":164}