{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":182,"pdf_page":202,"physical_index":202,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"5e01f510931715b8c4f23144969b4469b803deff7251598d9d7df5efcead10d4"},"chapter":"非人：漫谈时间","content":"\\*\\*\\*\n\n我们这些观看者，不必亲历医院大厅、剧场和事务所的各项工作，我们可以在一个世纪之后在一本杂志上端详这些照片的合集。我们看见照片上的女人不是正在流露或者展示其症状的病人。她们不是被预言或者驱魔之忧所困的野蛮人。她们甚至不是在其表演之巅的瞬间被抓拍的演员。\n\n她们教我们一种用身体元素演绎的戏剧:张大的瞳孔，挛缩的鼻唇皱纹，前臂直交位置上卡住的手腕，痉挛中颈部和脚后跟成圆弧形的背面肌肉群。这可以通过沉陷于麻木中或者通过出神中适宜的紧张，来规定身体的元素。\n\n182\n\n/非人：漫谈时间\n\n130","previous_page":181,"next_page":183}