{"resolved":true,"match_type":"uuid","source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","requested_by":"printed_page","book":{"source_type":"original_book","book_id":"ca7a386a-a284-41ec-b146-be626cc2ac01","id":"ca7a386a-a284-41ec-b146-be626cc2ac01","uuid":"ca7a386a-a284-41ec-b146-be626cc2ac01","title":"非人：漫谈时间","normalized_title":"非人漫谈时间","author":null,"edition":null,"publisher":null,"year":null,"isbn":"9787562155560","isbns":["9787562155560","9782252039427"],"parsed":true,"ai_readable":true,"document_type":"book","page_count":325,"navigation_url":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01","title_url":"https://workshop.closeclaw.top/ai/title/%E9%9D%9E%E4%BA%BA%EF%BC%9A%E6%BC%AB%E8%B0%88%E6%97%B6%E9%97%B4","fixed_page_url_template":"https://workshop.closeclaw.top/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","path_api_url_template":"https://workshop.closeclaw.top/api/ai/book/ca7a386a-a284-41ec-b146-be626cc2ac01/page/{printed_page}","read_url":"https://workshop.closeclaw.top/api/ai/read/ca7a386a-a284-41ec-b146-be626cc2ac01","page_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/page","search_url":"https://workshop.closeclaw.top/api/ai/books/ca7a386a-a284-41ec-b146-be626cc2ac01/search"},"page":{"printed_page":183,"pdf_page":203,"physical_index":203,"physical_index_base":0,"printed_page_status":"recognized","page_sha256":"92c4da1598479db994696cda39228b3dbac5037c9723b3aef9be20c8a01728eb"},"chapter":"非人：漫谈时间","content":"他们拍摄这些东西是为了建立歇斯底里症的档案，以便解码她们可以用这些动作说出的东西。这件事意味着：身体的这些状态是语义要素，我们可以通过某种句法结构将之串联起来。那么我们会得到一些句子、段落，以及随之而来的意义。然而应该让它们说话的摄影在我们身上制造了一种相反的效果。摄影把各种状态固定在这些要素的悬置的不稳定性里，它把这种状态一个一个抽离出来，并没有恢复将这些要素汇聚起来的句法。摄影让我们看见张量的郁积(des stases tensorielles)。\n\n张量的郁积之于身体的句法结构（来自传统戏剧或者舞蹈）就像微小的声音之于音乐作曲。约翰·凯奇说他想要让声音自行存在。而这些照片呈现了让紧张自行存在是什么状况。\n\n它们几乎完美地描绘了理查德·福尔曼对本体论-歇斯底里戏剧的要求:“让每一件事情足够无声以至于让正在真实发生的事情可以发生。”(Make everything dumb enough to allowwhat is really happening to happen.2)当福尔曼声明:\n\n言语，快照\n\n183\n\n1 理查德·福尔曼(RichardForeman，1937—)，美国剧作家，先锋戏剧实践者，本体论-歇斯底里戏剧的创始人。——译者注\n\n2 理查德·福尔曼，《本体论-歇斯底里：宣言I》(Ontological-hysteric:ManifestoI)，《表演与宣言》(Plays and Manifestos)(凯特·戴维[Kate Davy]编)，纽约大学出版社，纽约，1976 年， 第 77 页: “Rendre chaque chose suffisamment muette pour permettre à ce qui estréellement en train de se passer de se passer\"(艾莎·德洛尔[Isa Delord ]译, Erres,第 2期 1976—1977冬]，第20页)。","previous_page":182,"next_page":184}